Spoiler alert: the end completely changes the tone of the entire show, and could put many people off
I’ll admit it: I’m confused.
Last night we innocently went to see a comedy musical as
part of the Camden Fringe. Little did we know that we would leave the show feeling
entirely perplexed and quite disturbed. I have spent the entire morning reading
reviews of said show, but there are so many contradictory angles that they have
just contributed to my bewilderment.
Grab ‘Em by the Pussy is
described as a ‘sassy surreal comedy musical about grabbing pussy.’ So far, so
expected. I had assumed we would witness a light hearted show reflecting on
women in society and the social pressures we are under, as well as the
undeniable daily sexual harassment most girls have experienced since the age of
thirteen, which is now embodied by none other than the US President. However,
what we were met with was far more twisted and much less straight forward. (Although
it must be said that Dina expected it to be a satirical political piece about
Donald Trump, so at least I was a bit more prepared than she.)
The night began with a strange introduction to the venue. We
caught the show at The Monkey House on Seven Sisters where we were told they
have a ‘no shoe policy’ so we had to remove our shoes and help ourselves to
some pretty disgusting slippers. Considering I was wearing Timberlands which
are famously tricky to get on and off, this was an odd start.
The protagonist of the show is Maisie, played by Alice
Wolff-Whitehouse. Many reviews have described the character as relatable, and
successfully encapsulating the confusion many of women feel about how to
conduct themselves sexually. In the first 20 minutes or so, I’d agree. Maisie
struggles with knowing how to dance in the club without seeming too keen saying
‘sometimes the beat takes over my soul’. She wants guys to be interested but
doesn’t know how to seem aloof whilst also attractive. She feels jealous when
her friends are getting more action than her. I’d say most of these things
girls can relate to at some stage of their lives. I also felt the show was
empowered at this stage. It’s not often that women’s sexuality is explored in
this way, with songs such as ‘No One Will Let Me Blow Them.’ Not only this, but
the inclusion of socially awkward Ian (loveably and believably played by
Alasdair Melrose) further challenged the stereotype that men are always more
sexually driven than women.
But then the show progressed into darker themes. Maisie
doesn’t just want attention from men, she wants them to ‘touch me when I don’t
want to be touched.’ Hmm.
The show was definitely funny at points. I laughed out
loud throughout Melrose’s desperate attempt to prove his manly credentials with
his rendition of 'I Can Carry Heavy Objects Long Distances
Without Needing a Rest.' The less-than-subtle cat themed ‘Grab ‘Em by the
Meow’ was also a highlight with lines such as ‘cat burglary.’ Overall, the
music by Josh Wells was genius. The cast were amazing at fully committing to
their roles, with Wolff-Whitehouse throwing herself across the stage as erratic
Maisie, and Rachel Loughran embodying Roxanne and then (oddly) a Scottish army
general.
Yet the cast were let down by the strange plot
twists. No one seemed to understand the inclusion of the army, and all jokes
relating to this thus fell flat. There was also the surreal element of Maisie
standing up and slow motion dancing in between each scene. And finally, there
was the last scene.
I had not intended to reveal the end of the plot, but, as it completely changes the tone of the entire show, and could put many people off from seeing it, I think it’s relevant. So here goes, spoiler alert. (In fact, it's probably best to put a trigger warning here too.)
I had not intended to reveal the end of the plot, but, as it completely changes the tone of the entire show, and could put many people off from seeing it, I think it’s relevant. So here goes, spoiler alert. (In fact, it's probably best to put a trigger warning here too.)
The end of the show sees Maisie attempt to rape
Ian. Pulling at his trousers whilst he protests pitifully she says ‘don’t
worry, you’ll like it.’ As if this isn’t disturbing enough, he then rolls on
top of her, pushes her face down on the stage and proceeds to rape her instead.
The show concludes with Maisie lying flat on the floor whilst Ian walks off.
The audience sat in total silence for at least a minute, unsure whether to
clap.
Needless to say, Dina and I both walked out of
The Monkey House and simultaneously said ‘WTF did we just watch?’
As I said, I have since read many reviews
trying to uncover what the aim of this show was. Many have reviewed it as
surreal humour, reflecting on women in society.
One review, by Samuel Smith, described it as ‘exploring a dystopian world where women have lost all autonomy
over their sexual rights and consent.’
It’s an interesting angle, but I don’t think
it’s actually true, not least because Caroline Buckley, the writer, has not described
it as such. Instead she said to The Space ‘For a long time it was just
one song about a girl who is desperate to be sexually assaulted. I was inspired
by the bizarre concept that girls are asking for it and should take unwelcomed
‘attention’ as a compliment.’ This comment has also left me baffled. Does that
mean the entire show is ironic? Are we supposed to laugh at the final rape
scene?
Finally I will leave you with a line from the Camden Fringe
synopsis: ‘One thing is for
sure it will be an hour of random fun!’ Is rape on stage ever random fun?
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